Chinua Achebe’s “Dead Men’s Path” exemplifies, on a broad
spectrum, the ongoing conflict between old and new. The story follows Michael
Obi, the new headmaster of Ndume School. The setting is Nigeria in 1949. He is
described as “young and eccentric” with a “passion for ‘modern methods’ (Achebe
1). He is very eager to turn the “unprogressive” school around. His wife (whose
description I find fascinating- hoping to discuss it in class) decorates the
school accordingly. To his surprise, he finds a path in the flowers. He orders
that the path be closed. The Ani priest of the village tells him of the animist
beliefs of the village- that the path connects the spiritual and the physical
world. Obi, as a modern, well educated, and ambitious headmaster, is excited by
this. He seems to take pleasure in telling the priest that the point of their
school is to eradicate such beliefs. In the end, the villagers break down the
fence used to block the path and vandalize the school and the flowers around
it. The supervisor then came to inspect the school, giving it an unfavorable
review. He also states that the “tribal-war situation developing between the
school and the village” was due in part to the “misguided zeal” of the new
headmaster (Achebe 3).
I
believe that this story represents the power struggle between old and new, as
well as the unwillingness to tolerate the ideas of others. The villagers of
that time subscribed to a very animist system of beliefs, represented by the
path in the flowers. Instead of allowing the villagers to keep their path, and
in turn, their beliefs, the headmaster denies them both by closing the path.
Because of this, the villagers tear down the fence and trample the flowers.
This is important for two reasons. The first is that, by denying them the right
to hold their beliefs because of his excitement to implement his own, the
headmaster started a war with the villagers. He was narrow minded and
subscribed only to his own point of view of modern reform, evident by the
statement "The whole purpose of our school is to eradicate just such
beliefs as that. Dead men do not require footpaths. The whole idea is just
fantastic. Our duty is to teach your children to laugh at such ideas"
(Achebe 2). His unwillingness to tolerate the ideas of others could be
considered the “dead men’s path”- the path that will only lead to
confrontation. To that end, the flowers are also important. The flowers
symbolize how fragile the headmasters’ modern beliefs are in comparison to the
long-held animist beliefs of the villagers. The headmasters’ modern flowers are
trampled by the villagers, just his “misguided zeal” for modern-reform is
trampled by the old, fundamental beliefs of the people on whom he tried to
impose them.
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