The short story I have
chosen for today’s blog post is “The Ones Who Walk Away From Omelas” by Ursula
K Le Guin. I should probably start by saying that this is my favorite story we
(as a class) have read thus far. There were two quotes that struck me the most
(indeed, there were many). The first was on page 76, where the narrator claims “The
trouble is that we have a bad habit, encourages by pedants and sophisticates,
of considering happiness as something rather stupid” (Le Guin). This
quote is a crucial component of my analysis, which is as follows. I believe
that Omelas, or “the joyous city” is the philosophical concept of happiness. To
that end, I believe that the way she actively involved the reader by asking
them what would constitute their vision of Omelas was a cleverly disguised way
of asking what would make them happy. It seemed to me as though she was asking
what else would be conducive to the happiness of the city of Omelas, as well as
to their personal happiness. This could be considered happiness in general. At
the same time, I believe she was implying that the happiness of the people of
Omelas (which would also be happiness in general) was not random. These people
are not happy because they are “less complex” ( Le Guin 76). Their happiness is
calculated, deliberate. It exists for a reason. It is not “stupid” or lesser,
nor is it unearned in the eyes of the happy. It exists because, by knowing
sadness, they have made the necessary sacrifices that build a foundation for
their happiness.
After the attempt to
best articulate the people of Omelas to the reader, the narrator asks “What else? What
else belongs in the joyous city?”
(Le Guin 78). The description of the city is concluded by asking the reader if they
believed in the joyous city yet, if everything that should be in a utopia, as
the reader sees fit, is present, and in essence, she is asking the reader if
these things alone would make them happy. She then follows that question with
the description of the child. I believe this child to be the embodiment of the
necessary suffering that acts as a crucial component in the philosophical
construct of happiness. Every action has an opposite reaction; no dark can
exist without the light. I believe that the narrator was implying that the
child, that sadness and suffering, did in fact belong there. How could the people of Omelas know happiness if they
were to never encounter suffering? Everything described, especially the child, works
in a delicate balance to ensure that the people of Omelas stay happy (or so
that happiness in general can exist). They just made an attempt at minimizing
the amount of sadness required. However, there are those who walk away from
Omelas. I believe them to be unsung heroes. They can never be happy knowing
that such sadness exists, and in the context of the story, they refuse to be
part of an organization that requires that such sadness exist deliberately.
They condemn themselves to walk amongst the dark so that others can walk in the
light, rejecting happiness if it means they must inflict (or maybe even because
they must know) sadness.
This is powerful and convincing, but the allegorical reading slips a bit when you talk about the ones who walk away. Are they walking away out of choice ("they refuse") or because they must ("they can never be happy"). If we imagine this as a reference to our concrete world, perhaps these are the people whose empathy doesn't allow them to live happily (given war, poverty, and general existential angst) despite having basically everything they need/want.
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